In the hot summer evening, I stepped onto the cool marble. The cavernous, circular hall echoed with the soft tones of Bengali. Pillars ringed the hall, and the ceiling vaulted high, high up. I lifted my gaze up to the domed ceiling, which was decorated with mosaics depicting scenes of the life of the great saint and missionary, Srila Prabhupad. Below, in the center of this domed, cathedral-like space, stood the altar, which held a golden murti [sacred statue] of Srila Prabhupad.
I settled to a marble step and pulled out my long bamboo flute. I had been taking lessons, and I was such a novice. But here in this grand space, my simple flute playing echoed and echoed and filled the air and filled my body. The flute became my voice to sing a lullaby to Srila Prabhupad.
I had been living in the holy village of Mayapur in India for about 6 months, and recently I had begun to come every evening to the samadhi to play flute. Often, I would fall quiet and gaze up at the mosaics, lost in thought and lost in the glory of everything Srila Prabhupad had done for the world.
I prayed that somehow I would assist him in some way, even if small. But I was open to big, too!
I played my flute until the pujari swished closed the red velvet curtains. I took the flute from my lips, and in the sudden quiet I fell to my knees to the cool marble and offered my respects. The sound of the flute feathered away to silence.